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Fei Dawei
Fei Dawei () is a Paris-based art critic and curator. Born in 1954, Shanghai, he attended the Central Academy of Fine Arts in Beijing in 1985 and belonged to the first generation of art cirtics and curators in China after the Cultural Revolution. Being largely involved in the 1985-1989 New Wave Movement, often known as the '85 New Wave, Fei is a pioneer of the field who participated in the organization of many influential events in the history of contemporary Chinese art. He is best known for his curatorial works overseas in both Europe and Asia. He emphasizes cross-border cultural communication and denies the idea of "cultural exiles" come up with other domestic critics.
==Life and career path==
After graduating from the Central Academy of Fine Arts, Beijing with a bachelor's degree in History of Art in 1985, Fei took a major part in organizing the China/Avant-Garde exhibition at the National Art Museum of China in Beijing, along with Li Xianting and Gao Minglu. Meanwhile, he also advised the curators of the Magiciens de la Terre exhibit at the National Museum of Contemporary Art in Paris, France, also known as the Centre Pompidou. After moving permanently to France after being awarded a Chercheur Libre research grant by the French Ministry of Foreign Affairs in 1989, Fei was appointed as the chief curator of the Chine Demain pour Hier exhibition in Pourrieres, France in 1990, which is the first exhibition on Chinese contemporary art. It reveeals to the world the six emblematic figures of Cai Guoqiang, Huang Yong Ping, Chen Zhen, Yan Pei Ming, Gu Wenda, Yang Jie Chang. Exceptional installations covered more than 20 hectares of land, making a major impact on the history of Chinese contemporary art. In 1991, he was the chief curator of the Exceptional Passage exhibition, in Fukuoka, Japan (11 hectares)which is the first exhibition on Chinese contemporary art in Japan. Three years later, He was appointed the chief curator of the first Promenade in Asia exhibition in Tokyo, Japan, in collaboration with the cultural branch of Shiseido. (and of the second edition in 1997). In the 1994 CIMAM (International Committee of Museums of Modern Art) conference in Tokyo, Fei was invited as a guest speaker representing China. A year later, he curated the Asiana exhibition during the Venice Biennale, Italy. During 1995 and 2003, he is one of the juries for The (UNESCO-Aschberg Bursaries for Artists ). Meanwhile, in 1996, he curated the Between Limits exhibition at Sonje Museum, the first exhibition on Chinese contemporary art in South Korea. In 1999, Fei was awarded the title of "Chevalier des Arts et des Lettres" (Knight of Art and Culture) by the French Ministry of Culture. In 2004, he was the chief curator of the All under Heaven exhibition with the MUHKA (Museum of Contemporary Art) and the KMSKA (Royal Museum of Fine Arts) in Antwerp, Belgium and The Monk and The Demon exhibition at the Museum of Contemporary Art in Lyon, France one of the main events of the Year of China in France.
Since 2002, Fei became the director of the Guy & Myriam Ullens Foundation. During those years, he set up and managed the pronounced collection of Chinese contemporary art, and established the Ullence Center for Contemporary Art (UCCA) in Beijing 798 Art District. During 2005 and 2008, Fei was director of the (Ullens Center for Contemporary Art (UCCA) ) in Beijing, China, one of the main museums of the Beijing 798 Art Zone. It is also the first and largest contemporary museum to be set up in China. In 2007, he curated the '85 New Wave Inaugural Exhibition at the Ullence Center for Contemporary Art, of which the success and high artistic quality attracted both national and international acclaim.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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